RIP RAY BRADBURY

6 Jun

PIC: THE HALLOWEEN TREE

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Halloween is always fun… but it’s rare, however, that Halloween night contains some actual, tangible magic.

In 2007, I was invited to a Halloween dinner party at Club 33, the private restaurant at Disneyland, on the second floor above New Orleans Square. Dinner with my family and friends was lovely, of course — but there was also a guest of honor, none other than the father of The Halloween Tree himself, Mr. Ray Bradbury.

Bradbury was a longtime fan of Disneyland, was a personal friend of Walt Disney, and was an occasional collaborator with Walt Disney Imagineering, so seeing that it was the 35th anniversary of Bradbury’s book The Halloween Tree, Imagineers Tony Baxter and Tim Delaney decided to throw a Halloween party in Bradbury’s honor.

Bradbury may have been frail in body, but most certainly not in brain — he was as giddy as an eight-year-old as he regaled us with many of his Disney-related stories, on what he told the crowd was “his favorite holiday of the year”. Deep beneath his wheelchair-bound, then-87-year-old skin beat the heart of a poet, an enthusiast and lover of life who ensured all of us adoring nerds in the audience that our mutual loves of science fiction, of fantasy, of what the world could indeed be, was indeed okay. It was one of those nights where it was hard to tell who was happier to be there — the audience or the man being honored.

As if a six-course meal with one of my literary heroes wasn’t enough, another surprise was in store, not only for the audience but for Bradbury himself. We all left the restaurant (nerd detail: we walked through the closed park… with all the lights off!) and gathered around a lone oak tree in the darkened town square of Frontierland, stray brown leaves strewn all over the ground. When Bradbury flipped a pumpkin-themed switch nearby, the old tree lit up with strands of tiny illuminated jack-o-lanterns — thus, he now has his very own permanent Halloween Tree. Every year from now on at Halloween time, the tree will be decorated and lit up in Bradbury’s honor, with a plaque at the base of the tree commemorating it for all who visit Disneyland.

We were also all given signed copies of The Halloween Tree — and as I left, I picked up one of the stray (fake) “Disney leaves” around the actual tree, and timidly asked Mr. Bradbury to sign it for me as well. “I don’t really have much to say, except ‘thank you’, your books have meant so much to me… I can’t believe I’m here,” I blurted to him, my hands trembling.

He took my hand quite firmly in his, looked me straight in the eyes, and said wistfully, “well, you are here, and you’re wonderful.”

I’ve posted a huge album of photos and a 25-minute video of the entire event (including much of Bradbury’s stories, and the lighting of the tree) for everyone to enjoy.

Thank you, Ray, for your inspiration and spirit, and for making Halloween my favorite holiday of the year.

(Originally posted in 2007)

TODAY ON THE BBC

6 Jun


Today on my pal John Barnes’ UK radio show, we chat about Grace Jones’ hula-hoop skills and the passing of Sci-Fi legend Ray Bradbury.

The show runs every Wednesday at 22:00 on BBC Lancashire, and my segment is usually about ninety minutes into the show.

You can Listen Live on the internet by tuning in around 4:30 PDT in the US.

If you missed hearing it live, shows are archived the next day and are available on BBC iPlayer for one week; you can find these by date on John’s show page.

TODAY ON THE BBC

30 May


Today on my pal John Barnes’ UK radio show, we chat about Grauman’s Chinese Theater’s 85th birthday, Marilyn Monroe’s 86th birthday & film festival, and auctioning Elvis’ tomb.

The show runs every Wednesday at 22:00 on BBC Lancashire, and my segment is usually about ninety minutes into the show.

You can Listen Live on the internet by tuning in around 4:30 PDT in the US.

If you missed hearing it live, shows are archived the next day and are available on BBC iPlayer for one week; you can find these by date on John’s show page.

TODAY ON THE BBC

9 May


Today on my pal John Barnes’ UK radio show, we chat about the biggest movie opening in history, and new SoCal theme park attractions this Summer.

The show runs every Wednesday at 22:00 on BBC Lancashire, and my segment is usually about ninety minutes into the show.

You can Listen Live on the internet by tuning in around 4:30 PDT in the US.

If you missed hearing it live, shows are archived the next day and are available on BBC iPlayer for one week; you can find these by date on John’s show page.

TODAY ON THE BBC

25 Apr


Today on my pal John Barnes’ UK radio show, we chat about Hollywood on Broadway, and the upcoming Avengers film.

The show runs every Wednesday at 22:00 on BBC Lancashire, and my segment is usually about ninety minutes into the show.

You can Listen Live on the internet by tuning in around 4:30 PDT in the US.

If you missed hearing it live, shows are archived the next day and are available on BBC iPlayer for one week; you can find these by date on John’s show page.

BROADWAY BINGE!

24 Apr

Here’s a brief recap & review of the new Broadway shows I saw while in NYC this past weekend:

First up was PETER & THE STARCATCHER, an imaginative “prequel” to Peter Pan, based on the popular young-adult novel series by Dave Barry (!). It’s two hours of lo-fi, hi-energy, pure theatrical bliss — less a musical and more a play with a couple of songs (mostly sea shanties! Yay!), breathlessly driven by an energetic cast of twelve who play multiple parts and create entire scenes out of found props like rope, umbrellas, and toys. It’s a ton of fun and well worth seeing: http://peterandthestarcatcher.com/

Next up was ONCE, based on the 2006 Academy-Award-Winning film. The film was a small, intimate, delicate love story centered around some incredibly moving pop/folk/rock songs — and the stage version more than does it justice by expanding the story into a love affair with music, musicians, and the collaborative process. I’m a HUGE fan of the film, and worried that it wouldn’t “embiggen” well to the stage — but it’s an incredibly moving, tuneful, and joyous show with gorgeous multi-voice arrangements of the movie’s songs performed by a cast-slash-band who play every character and every song, never leaving the stage as they create their love letter to music. I cried my eyes out at the end, and wanted to hug each one of the cast individually:http://www.oncemusical.com/

Lastly, I lucked out on tickets to opening night of GHOST, based on the hit 1990 film (my pal +Andy Grobengieser is the associate conductor for the show). It’s a technical tour de force, with songs by Dave Stewart (of Eurythmics) and pop impresario Glen Ballard (Michael Jackson, Alanis Morissette). Not all the songs land successfully, but the ones that do are really great, buoyed by a winning cast that works really hard to please the audience. It’s a big, swoony romance backed by big, swoony technology — and while the press seems to hate it, I LOVED it and totally fell for the full-throttle sentimentality and cutting-edge stage tech. It’s gorgeous and swirly, combining both high-energy spectacle and intimate love story in equal measure. Plus, there are two ghostly illusions in it that completely floored me (Teller & Copperfield were reportedly also fooled by the gags — they’re that good). Ignore the pithy reviews and go — I had a really great time, and it deserves to be a huge, critic-proof hit: http://www.ghostthemusical.com/

TODAY ON THE BBC

18 Apr


Today on my pal John Barnes’ UK radio show, we chat about Holo-Tupac at Coachella.

The show runs every Wednesday at 22:00 on BBC Lancashire, and my segment is usually about ninety minutes into the show.

You can Listen Live on the internet by tuning in around 4:30 PDT in the US.

If you missed hearing it live, shows are archived the next day and are available on BBC iPlayer for one week; you can find these by date on John’s show page.

TODAY ON THE BBC

28 Mar


Today on my pal John Barnes’ UK radio show, we chat about the Warner Bros. Studio Tour London, featuring The Making of Harry Potter.

The show runs every Wednesday at 22:00 on BBC Lancashire, and my segment is usually about ninety minutes into the show.

You can Listen Live on the internet by tuning in around 4:30 PDT in the US.

If you missed hearing it live, shows are archived the next day and are available on BBC iPlayer for one week; you can find these by date on John’s show page.

8 Mar

Whatever

Kirk Cameron, former child star and current subscriber to an apparently particularly uneducated brand of evangelical Christianity, is shocked and appalled that when he makes public statements on a nationally-televised talk show about homosexuality (and thus, the people who are homosexual) being “unnatural” and detrimental to civilization, there are a large number of people who will react to such a public statement by taking it upon themselves to mock him for it. He says:

I should be able to express moral views on social issues, especially those that have been the underpinning of Western civilization for 2,000 years — without being slandered, accused of hate speech, and told from those who preach ‘tolerance’ that I need to either bend my beliefs to their moral standards or be silent when I’m in the public square.

Well, Kirk Cameron, here’s the thing. You are correct when you say you should be able to express…

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IT’S A SMALL WORLD

6 Mar

Image

At the 2002 THEA Awards, Richard & Robert Sherman were honored with a lifetime achievement award. It was one of the first times that Richard Sherman did his “sing-and-chats”, where he’d sit at the piano and tell stories about working with Walt, the genesis of various songs, all while playing snippets and singing.

Near the end, his voice grew comically dour: “And now, here’s the song you’ve all been dreading. The one you love to hate.” We all laughed, knowing that “It’s A Small World” was coming.

He talked about UNICEF approaching Walt about the World’s Fair, and how they wanted something about the children of the world. He told the story of how the song had to work in every room, overlapping itself, and how walt wanted “something upbeat”. But the song was initially intended as a hymn for the children of the world — a prayer, if you will, for peace.

He began to sing the infamous song — but not as we know it. He sang it slow, in hushed tones, in his frail, charmingly froggy 80-year-old baritone. And there wasn’t a dry eye in the house.

With the passing of Robert Sherman yesterday, here’s a snippet of Richard’s achingly beautiful version of the song they both made famous, and the story behind the song from the lovely documentary “The Boys: The Sherman Brothers Story.”